drum and bass
There are a few things coming up, here are just some …
Source: GOOD STUFF – Launch Party
There is nothing quite like a good independant club night. Rite Trax are just one of the local purveyors, of course, along with Peachy and crew. I will be providing visuals for each of these and spinning a few at the Grooveyard event.
Watch videos & listen free to Marcus Nasty. Leading funky DJ from London. Myspace description: DJ MARCUS NASTY began djing in 1998 with his first show on Flava fm in 1999. Marcus knew he could offer more to the music industry, so by bringing in vocalists, mc’s & rappers from around the UK, he formed the group N.A.S.T.Y. The 1st mc’s alongside Marcus were Sharky Major & Stormin’. Together they started gaining recognition amoungst the underground circuit and recruited the top dj/mc’s in the game – DJ Mac 10 and the best UK artists they could get involved – Nasty Jack, Hyper, Griminal, Little Nasty, Kano, D double e, Ghetto, Demon, Footsie, Monkey, Jammer, Kassimo,… Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.
Coming very soon to a particular venue in Sheffield – Funky Town, upstairs in the old West Street Alehouse – is Hidden Junction a weekly thrusady night extravanganza, but not too extravagant, from Rite Trax. This is the outfit with whom I regularly perform. I will undoubtedly be providing visuals for this event as with the others, in addition I will be DJing a regular set – Around the world in 80 raves. This will provide something either in keping with the night or a useful contrast. The difference with these sets will be that they will involve either a different genre or sub-genre of music or a different point of origin.
The opening few sets are likely to include:
- broken beat
- balkan mashups
- italo house
- italo disco
- future kizomba
- zouk bass
- zouk love
- retro zouk – classics
- japanese lounge – shibuya kei
- canadian drum and bass
- french triphop
- african deep house
Let me know of any suggestions you have.
The whole Rite Trax experience is something that is growing. It may have a core of banging club nights but it is much more and will grow those extra features over the coming weeks, months and more. It may be useful for those with artworks, hand crafted materials, music and all such to get in touch with them.
RiteTrax CIC is a newly formed social enterprise based in Sheffield, aimed at providng a platform for underground creative culture.
small business owner creating content, graphics, marketing, also dj, vj and more
There will always be events that surprise you, catching you off guard in a really pleasant way. It’s the same thing with businesses. Rite Trax is a business, it also puts on events and also looks to be a lot more than that as well. Music and its performance may be the first thing that springs to mind, eyes and ears with them but as you should know your eyes and ears can also be delighted and sometimes surprised by its other core interests – art and poetry. Admittedly the art and poetry are not classic gallery and museum pieces, delicately crafted oils and the like, the poetry is not the stuff of high-class salons, coffee table volumes or any of it consumed with a gentle sherry and cigar. The art, poetry, music is the stuff of ordinary, living and working people of the city and beyond. It also magically properly manages to go beyond a lot of club culture and attracts a real range of ages, from youth to (in my case) ancient and greying. All of this is so good. You will find much of it catalogued by a variety of photographers as well – check the Rite Trax website and facebook page.
The average club night has a minimal story, certainly it has a beginning, middle and end, the better events have a particular style of progression fitting that timeline. Art and poetry events tend to be rather more linear and flat, only certain of them have a story that builds. Rite Trax does so much more. Most of their events have a progression that involves a real unfolding of activity and experience with a variety of areas of participation. This can truly be less of a short story or simple monologue, as it were, and far more a mixed or multi genre novel or an interlocking series of episodes all in one.
So – the question is where next for Rite Trax? There will certainly be more events at a range of venues around Sheffield and possibly beyond. The poetry angle and art side of things will be developed, there may be audio books, video, prints and original works of art to be sold and displayed. There is also talk of a record label.
Marcus Method …
The next show will be Friday 9th December.
Lots of fun was had at the Rite Trax 1st birthday bash. Personally, as Futurhood av, I was providing vj performance alongside Joe from Damp Studios. We projected side by side all night and it was real fun. There were also artists and more providing interesting additions to the whole event. A Guy Called Gerald was the headliner – see below. He is well known for his old skool work as well as his current performance and output – we had a nice chat and a fag later on. Mistabishi was there as well, it was nice to catch up – not seen him in a while but the performance, like Gerald’s, was electric. Great support came from all the rest – Isis Moray, Cryptic, Phatworld and all the rest. Looking forward to more.
It is a vibrantly new thing – Rite Trax – combining a variety of music, presenting club nights alongside art experiences and spoken word poetry. We have all run across each of these things separately, the combination is something really very different. All of it should be supported. Why leave your senses unfulfilled. Most of us love our music and appreciate the visual and the word based forms of expression. With these events and everything presented through the website (see below), you can have all of this together or in part. On top of this when there is music there also tends to be vj performance as well (often from me).
pics from Dan Arves
RiteTrax CIC is a newly formed social enterprise based in Manchester and Sheffield, aimed at providng a platform for underground creative culture.
There were particular times spent in and around local pubs and certain clubs – pubs in Pitsmoor already mentioned such as the East House, the Tea Gardens, the Highway and more. In these days I djed and spent time just enjoying a few beers but also disappeared off to some club nights, events, parties and the like. These were also eclectic times, enjoying local things and a range of music:
– deep house, balearic beats
– soul, particularly northern (an old friend had been Dave Godin – check his history and you will see the connection)
– ska, being a Cov lad, of course
– the beginnings of a love for certain garage sounds, drum and bass and the like
Having attended the Rite Trax event at Golden Harvest in Sheffield a little while ago it looks like I may be performing at the next one. The experience of that first event was something good to say the least. Having such a range of different performance in an unusual setting and with such a range of people was really pleasant. There is nothing quite like the right sort of party crew – a couple of drinks, performance which went from live poetry readings to live electronica, artists displaying works and on top of that old favourite dj’s performing. Well!! Sweet! Things like this make a difference. It is not the usual crawl around particular bars and pubs, then perhaps a club and so on.
Moving from the drudgery of everyday working and business life you search for something more, a new palette to enliven your imagination and find so much in just the ordinary and everyday.
I used to love my club nights. Spent a lot of time at the Arches in Sheffield. I was to be found mainly in the upstairs bar cum chillout area, not so much downstairs in the main room (apart from, if I can remember, Grooverider). The Adelphi became a club after its time as a cinema – worked the door there – even for the deaf discos (quite unusual). These places provided a diet of techno (acid and otherwise), drum and bass, jungle, hardcore and a whole lot more.
I may be in my 60s but I still love it all. It may be the case that I do not quite have the stamina I used to have but I still love performing and being on the dance floor, chillout room, anywhere around events such.
There is nothing like the night and all of the joys you can find there. I miss my clubbing days. I miss djing and vjing, creating for events, entertaining even a small crowd. I have managed to play at quite a few clubs in and around Sheffield, also enjoying the events as an attendee. I had great fun going out to such and beyond to festivals and free parties with my daughters – yes! strange I know, but still. Even though I am in my 60s now I still love this music. It may seem odd for someone such as myself to still have a love of 2 step garage, drum and bass, dubstep, future bass, drumstep, trap, glitch and more but there you have it.
Memoria – deep soulful house – click the link above
As you may have guessed I have something of an eclectic taste in music. Particular forms of music fit with various of my moods – and no I am not just endlessly moody! I do, however, run through a whole gamut of feelings in the average day and so sucha typical day can be filled variously with anything from deep, soulful and chilled house
– I also have a love of old soul from early 60s days through to new soul – nusoul, neo soul – by way of 80s and 90s sounds
– on into moody trip hop – I retain a real love of all sorts of artists from Portishead to London Grammar by way of Bonobo and the list would go on endlessly
– and then to drum and bass, which would include the full range of old jungle, raggaed up or not, and including liquid, atmospheric and intelligent – so my tastes go from Congo Natty to Bukem, from Marcus Visionary to Calibre
click below for the new liquid mix from silverbackdj
click the image below to be taken to a new drum n bass mix from silverback dj
via futurhoodav – Home.
a history by Dave Mumblist
Room 303 was born from the many late night, early morning, post party, smashed out our faces conversations which myself and my housemates/band of reprobate friends found ourselves having over and over again while playing music and eating disco biscuits.
The situation was thus it was about 2007, we were all in our early 20’s and fresh out of university without a clue what we were doing. What we did know was that our taste in music was fresh, deep and completely underrepresented in Sheffield. We were into acid techno (that was rapidly dying on its arse everywhere in the world), dark drum n bass, old skool hardcore, dubstep (before it turned into an obnoxious bassline war) and breakcore jungle. What we wanted was to go to a night which played some or all of these things but specifically didn’t just play the same thing all night (we had short attention spans).
So one Sunday morning I found myself talking to a stranger I had just befriended while waiting for some form of transport in surprise view car park after a free party in the middle of the peaks. I was bending this gentleman’s ear about how we could put on an epic night that was fully underrepresented in the city we lived in, the reply was that this person owned the Redhouse (I had discovered the redhouse several months earlier for a Tinnitus night, when it still looked like an old man’s pub, full of teenagers moshing to gabber with their shirts off). I asked how much it’d cost to put a night, free he said and they would pay us if we filled it.
Room 303 was born, the name was a mixture of Room 101 from 1984 and our love of the Roland TB 303 acid synth. I banged up a poster on the photocopier at work and we postered, flyered and facedbooked our hearts out. We made a banner, took our decks, mixer and laptops down to the redhouse and waited nervously to see if anyone would turn up (The first night was billed as surprise view car park dave presents a night of….. due to me neglecting to tell Jeff what we were called). No one showed for the first hour or two and then smack bang in the middle of my set the place was rammed. The flyer said seven hours of banging music for free and that’s what our lovely crowd got.
We continued in this vain for the next 12 months (Jeff made us start charging money on the door), booking whoever of our mates we thought were mint in whatever style of music they wanted to play (we liked for people to play what they were into). In Summer possibly 2009 we got summoned to see the owner of the Harley who invited us to do a regular Friday night gig once a month, which would allow us to be able to book actual DJ’s at a bigger capacity venue, so went for that. We booked a slew of class acts including Warlock, No Yeah No, Zomby (Worst and funniest booking- 2 hours late and so smashed he couldn’t DJ), Ant, DAVE the drummer, King cannibal, Stormfield, Scan one and Altern8 to name a few. We got loads of people down for the first 6 nights then numbers started to drop, I have no idea why, some of us fell out with some other of us and left the night, then the owner said that he didn’t want us to continue!
At this point it was pretty much only me keeping the 303 flame alight, so I went back to the Redhouse and put on a couple of sparodic half-hearted gigs. In about 2011 my good friend A.R.D. pushed me into putting Room 303 on more regularly and because he was into the harder end of dance music the BPM of the night increased and it slowly morphed into playing UK hardcore, hardcore techno, really hard drum n bass, core and bass, breakcore and gabber. Our mate Scott Kemix (orifice) moved to Sheffield and with him a bunch of contacts in the nails end of dance music which meant cheaper bookings of higher quality and more extreme music! Towards the end of 2012 I decided to move to Leeds and left 303 in the capable if not slightly deranged hands of A.R.D. who brought on board Bee log (Neil) and they have since put on the most forward thinking, hard as balls DJs they can muster.
Going into 2014 Room 303 is keeping in good health, still putting on aggressively independent music which you wouldn’t see if it wasn’t running. It’s put on for the love of it, with passion and largely cos we want to stomp our feet to fucking mental music and stay up forever!